I went to see
this adaptation of Henrik Ibsen’s Hedda
Gabler at Birmingham’s Old Rep Theatre this week, and knowing it had been
set locally my main intention was to see how well the Norwegian’s play would
translate to 1960s Birmingham.
The answer to my
question was very well. The 60s setting gave a very Mad Men feel to the whole thing. Lots of pouring scotch and sherry,
lots of smoking cigarettes, amid funky 60s costume and furniture. The
Birmingham in-jokes helped to ground the piece and overall the adaptation was a
great success.
The overall
themes of power and control and their changing of hands as the story progressed
were still well in situ so the essence of the play was truly visible. Undeniably
Elisabeth Hopper as Heather stole the show, bringing the right amount of
seduction and bitchiness to the role. As a protagonist Heather is captivating
as her downfall unfolds slowly and to the seeming obliviousness of those around
her.
Robin French’s
adaptation began strongly and ended suddenly, in just the same manner, taking
full advantage of foreshadowing, symbolism and irresistible self-destruction in
more than one character. When I come away from watching an adaptation wanting
to re-visit the original I consider it a success.
Elloise Hopkins.
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